LONDON >> Albert Finney, one of the most respected and versatile actors of his generation and the star of films as diverse as “Tom Jones” and “Skyfall,” has died. He was 82.

From his early days as a strikingly handsome and magnetic screen presence to his closing acts as a brilliant character actor, Finney was a British treasure known for charismatic work on both stage and screen.

Finney’s family said today that he “passed away peacefully after a short illness with those closest to him by his side.” He died Thursday from a chest infection at the Royal Marsden Hospital in London, a cancer treatment center.

Finney burst to international fame in 1963 in the title role of “Tom Jones,” playing a lusty, humorous rogue who captivated audience with his charming, devil-may-care antics.

He excelled in many other roles, including “Saturday Night and Sunday Morning”, a 1960 drama that was part of the “angry young man” film trend.

Finney was a rare star who managed to avoid the Hollywood limelight despite more than five decades of worldwide fame. He was known for skipping awards ceremonies, even when he was nominated for an Oscar.

“Tom Jones” gained him the first of five Oscar nominations. Other nominations followed for “Murder on the Orient Express,” ”The Dresser,” ”Under the Volcano” and “Erin Brockovich.” Each time he fell short.

In later years he brought authority to bid-budget and high-grossing action movies, including the James Bond thriller “Skyfall” and two of the Bourne films. He also won hearts as Daddy Warbucks in “Annie.”

He played an array of roles, including Winston Churchill, Pope John Paul II, a southern American lawyer, and an Irish gangster. There was no “Albert Finney”-type character that he returned to again and again.

In one of his final roles, as the gruff Scotsman, Kincade, in “Skyfall,” he shared significant screen time with Daniel Craig as Bond and Judi Dench as M, turning the film’s final scenes into a master class of character acting.

“The world has lost a giant,” Craig said.

Although Finney rarely discussed his personal life, he said in 2012 that he had been treated for kidney cancer for five years.

He also explained why he had not attended the Academy Awards in Los Angeles even when he was nominated for the film world’s top prize.

“It seems silly to go over there and beg for an award,” he said.

The son of a bookmaker, Finney was born May 9, 1936, and grew up in northern England on the outskirts of Manchester. He took to the stage at an early age, doing a number of school plays and — despite his lack of connections and his working-class roots — earning a place at London’s prestigious Royal Academy of Dramatic Arts.

He credited the headmaster of his local school, Eric Simms, for recommending that he attend the renowned drama school.

“He’s the reason I am an actor,” Finney said in 2012.

Finney made his first professional turn at 19 and appeared in several TV movies.

Soon, some critics were hailing him as “the next Laurence Olivier” — a commanding presence who would light up the British stage. In London, Finney excelled both in Shakespeare’s plays and in more contemporary offerings.

Still, the young man seemed determined not to pursue conventional Hollywood stardom. After an extensive screen test, he turned down the chance to play the title role in director David Lean’s epic “Lawrence of Arabia,” clearing the way for fellow RADA graduate Peter O’Toole to take what became a career-defining role.

But stardom came to Finney anyway in “Tom Jones”.

That was the role that introduced Finney to American audiences, and few would forget the sensual, blue-eyed leading man who helped the film win a Best Picture Oscar. Finney also earned his first Best Actor nomination for his efforts and the smash hit turned him into a Hollywood leading man.

Finney had the good fortune to receive a healthy percentage of the profits from the surprise hit, giving him financial security while he was still in his 20s.

“This is a man from very humble origins who became rich when he was very young,” said Quentin Falk, author of an unauthorized biography of Finney. “It brought him a lot of side benefits. He’s a man who likes to live as well as to act. He enjoys his fine wine and cigars. He’s his own man. I find that rather admirable.”

The actor maintained a healthy skepticism about the British establishment and turned down a knighthood when it was offered, declining to become Sir Albert.

“Maybe people in America think being a ‘Sir’ is a big deal,” he said. “But I think we should all be misters together. I think the ‘Sir’ thing slightly perpetuates one of our diseases in England, which is snobbery.”

He told The Associated Press in 2000 that he would rather be a “mister” than a “Sir.”

Instead of cashing in by taking lucrative film roles after “Tom Jones,” Finney took a long sabbatical, traveling slowly through the United States, Mexico and the Pacific islands, then returned to the London stage to act in Shakespeare productions and other plays. He won wide acclaim before returning to film in 1967 to co-star with Audrey Hepburn in “Two for the Road.”

This was to be a familiar pattern, with Finney alternating between film work and stage productions in London and New York.

Finney tackled Charles Dickens in “Scrooge” in 1970, then played Agatha Christie’s sophisticated sleuth Hercule Poirot in “Murder on the Orient Express” — earning his second Best Actor nomination— and even played a werewolf hunter in the cult film “Wolfen” in 1981.

In 1983, he was reunited with his peer from the “angry young man” movement, Tom Courtenay, in “The Dresser,” a film that garnered both Academy Award nominations.

Finney was nominated again for his role as a self-destructive alcoholic in director John Huston’s 1984 film “Under the Volcano.”

Even during this extraordinary run of great roles, Finney’s life was not chronicled in People or other magazines, although the British press was fascinated with his marriage to the sultry French film star Anouk Aimee.

He played in a series of smaller, independent films for a number of years before returning to prominence in 2000 as a southern lawyer in the film “Erin Brockovich,” which starred Julia Roberts. The film helped introduce Finney to a new generation of moviegoers, and the chemistry between the aging lawyer and his young, aggressive assistant earned him yet another Oscar nomination, this time for Best Supporting Actor.

His work also helped propel Roberts to her first Best Actress Oscar. Still, Finney declined to attend the Academy Awards ceremony — possibly damaging his chances at future wins by snubbing Hollywood’s elite.

Finney also tried his hand at directing and producing and played a vital role in sustaining British theater.

The Old Vic theater said his “performances in plays by Shakespeare, Chekhov and other iconic playwrights throughout the ’60s, ’70s and ’80s stand apart as some of the greatest in our 200-year history.”

Finney is survived by his third wife, Pene Delmage, son Simon and two grandchildren. Funeral arrangements weren’t immediately known.